Where Can I Find Oscar Award Winning Everything Everywhere All At Once?

Everything, Everywhere, All At Once dominated the Oscars on Sunday night, winning seven awards, including Best Picture, Best Actress, Best Director, Best Editing, Best Supporting Actor, Best Actress in a Supporting Role and Best Original Screenplay.

"Everything Everywhere" had 11 nominations and entered the night as a heavy favorite.

The film, a touchstone of Asian representation in American cinema, received acting, directing and best picture awards from various groups throughout the awards season.

Directors Daniel Kwan and Daniel Scheinert won the director's award. Michelle Yeoh won Best Actress, becoming the first Asian star to win the award. Kwan and Scheinert won Best Original Screenplay.

Everything Everywhere All at Once was not nominated for Best Actor, a category which for the first time since 1935 includes five actors who had never been nominated before. Brendan Fraser won for The Whale.

Ke Huy Quan won Best Supporting Actor for his role in Everywhere, and Jamie Lee Curtis, a movie icon since the 1978 horror classic Halloween, picked up a surprise win.

This year's ceremony saw four Asian actors compete in multiple acting categories for the first time.

Yeoh, 60, is the first woman of Asian identity to be nominated for Best Actress. This distinction was made because Merle Oberon, who was of mixed British and South Asian descent, was first nominated in 1935 for her work in the film The Dark Angel, but her heritage hid fear of discrimination. in Hollywood at the time.

Ana De Armas was the first Cuban actress to be nominated for Best Actress for her role as Marilyn Monroe in the Netflix movie Blonde.

Angela Bassett also got another scoop at the ceremony, becoming the first actress to receive a nomination for a role in a Marvel movie. She was nominated for Best Supporting Actress for her portrayal of Queen Ramonda in Black Panther: Wakanda Forever. The film won for costume design.

"All Quiet on the Western Front" won four at the start, mostly in technical categories.

This year's ceremony drew more attention after Will Smith punched Chris Rock during last year's show. Host Jimmy Kimmel talked about it at every opportunity on Sunday night.

Here is the full list of winners:

Best Picture: “Everything Everywhere All at Once”

Best Actress: Michelle Yeoh, “Everything Everywhere All at Once”

Best Actor: Brendan Fraser, “The Whale”

Best Director: Daniel Kwan, Daniel Scheinert, “Everything Everywhere All at Once”

Best Original Song: “Naatu Naatu,” “RRR”

Best Documentary Feature: “Navalny”

Best Adapted Screenplay: “Women Talking”

Best Original Screenplay: “Everything Everywhere All at Once”

Best Costume Design: “Black Panther: Wakanda Forever”

Best International Feature: “All Quiet on the Western Front”

Best Supporting Actor: Ke Huy Quan, “Everything Everywhere All at Once”

Best Animated Feature: “Guillermo Del Toro’s Pinocchio”

Best Visual Effects: “Avatar: The Way of Water”

Best Cinematography: “All Quiet on the Western Front”

Best Supporting Actress: Jamie Lee Curtis, “Everything Everywhere All at Once”

Best Film Editing: “Everything Everywhere All at Once”

Best Score: “All Quiet on the Western Front”

Best Sound: “Top Gun: Maverick”

Best Production Design: “All Quiet on the Western Front”

Best Makeup and Hairstyling: “The Whale”

Best: Documentary (Short Subject): “The Elephant Whisperers”

Best Short (Animated): “The Boy, the Mole, the Fox and the Horse”

Best Short Film (Live Action): “An Irish Goodbye”

All that Wherever At the same time is the 2023 Oscars Best Picture champ, and it additionally got six different honors, for Best Chief, Unique Screenplay, Film Altering, Entertainer, and Supporting Entertainer and Entertainer. For any individual who watched the current year's service, where the crowd went wild every time the film was referenced, the Best Picture win quit being an unexpected part of the way through the show. Yet, a year prior, nobody might have watched Daniel Kwan and Daniel Scheinert's multiverse show-stopper and guessed this sort of reaction or acknowledgment — not from the famously tedious Institute.

All that Wherever at first felt like a film intended to procure a little, energetic crowd. Best case scenario, it seemed like it could turn into a very much stayed quiet. It played like a greater and more splendid variant of the Daniels' most memorable film, Swiss Armed force Man — a film cherished in specific circles, yet excessively dim, unpredictable, and rebellious to order a standard or far reaching crowd. Unquestionably neither of their undertakings felt like Foundation competitors.

However, as verbal exchange about the film developed, and it remained in performance centers a large number of weeks, the story started to change. There were such countless motivations to see the film as an aggregate vibe great experience for film fans: Ke Huy Quan's victorious re-visitation of film; Michelle Yeoh handling a main job deserving of her acting abilities, as well as her combative techniques abilities. Jamie Lee Curtis getting back to parody in a one of a kind job. A larger part Asian cast telling the sort of nuanced, close to home story they so seldom get to tell in American film. A story brimming with Hidden little goodies and in-jokes pointed straightforwardly at cinephiles. As the discussion around the film got greater and greater, it began to take on sketchy longshot hints, particularly when it turned into the first $100 million film industry hit for little arthouse wholesaler A24.

Everything, Everywhere, All At Once dominated this year's Oscars, winning seven awards, including Best Picture on a Major Night for Asian and Asian-American representation.

The wacky multiverse fantasy about a divided family caught up in an interdimensional adventure also won Best Actress, Best Director, Best Supporting Actor, Best Supporting Actress, Best Editing and Best original screenplay at the 95th Academy Awards. It was the most nominated film of the evening.

95th Academy Awards - Oscar Show - Hollywood
Ke Huy Quan wins Best Supporting Actor Oscar for 'Everything Everywhere All at Once' during the Academy Awards at the 95th Academy Awards in Hollywood, Los Angeles, California, U.S., March 12, 2023. REUTERS/Carlos Barria

Michelle Yeoh is the second woman of color to win the Best Actress Oscar after Halle Berry in 2002. She said before adding, "Ladies, never let anyone tell you you're past your prime."

Ke Huy Quan won Best Supporting Actor for his role in the film, beating out Barry Keoghan and Judd Hirsch. He is the first Vietnamese-born actor to win an Oscar. "Mom, I just won an Oscar!" he said in tears. "They say stories like this only happen in movies, I can't believe this happens to me."

It was the first time that multiple Asian actors won an Oscar in the same year.

'Everything Everywhere All at Once,' a gleefully goofy mix of comedy, action and sci-fi about a Chinese-American immigrant who traverses the multiverse to keep her family together, won Best Picture at the 95th awards ceremony Oscars Sunday night in a diverse field that included massive blockbusters as well as intimate arthouse fare.

All Around led the pack with 11 nominations and won seven, including Lead Actress for Michelle Yeoh, Supporting Actress for Ke Huy Quan, and Supporting Actress for Jamie Lee Curtis, as well as original writing and directing for co-directors Daniel Kwan and Daniel. seems.

Scheinert accepted the director's trophy alongside Kwan and thanked his parents "for not rushing my creativity when I was doing really disturbing horror movies or really naughty comedies or dressing like a boy, which is no threat to anyone."

Yeoh took home the Leading Actress award for her portrayal of the no-nonsense matriarch of Everything Everywhere, making the Malaysian-born action icon the first Asian to win the award. "For all the little girls and boys watching tonight who look like me, it's a beacon of hope and opportunity," Yeoh said. "And ladies, don't let anyone tell you that you're past your prime."

Capping off one of the most inspiring comeback stories of the year, Quan shot to fame in 1980s Indiana Jones and the Temple of Doom and The Goonies, to quit acting for lack of opportunity, he was honored. for his role as the film's gentle husband.

“My journey started on a boat,” Quan said in one of the most moving speeches of the evening. “I spent a year in a refugee camp. And somehow, I found myself on the biggest stage in Hollywood. It is said that such stories only exist in the cinema.

Everything Everywhere All at Once didn't win all the awards it was nominated for: it was nominated for 11 and won seven. But it continued to take home big awards: Best Picture, Best Original Screenplay, Best director, best actor and actress in a supporting role, best actress and best editing.

For a moment in the middle of the ceremony, it looked like All Quiet On The Western Front was going to hit hard, but the pendulum swung back. Perhaps even more surprising is how many movies that once looked like serious contenders for major awards ended up being scrapped altogether: Tár, The Banshees of Inisherin, The Fabelmans and Elvis went home the empty hands.

Of the 20 actors nominated in the major and minor categories, 16 were nominated for the first time. As expected, they won all four awards. The awards for Supporting Actor and Supporting Actress went to two very, very different "newcomers."

Everything Wherever At the same time, from the coordinating couple known as the "Daniels" (Daniel Kwan and Daniel Scheinert), has ended up being one of 2022's greatest examples of overcoming adversity. It's a particular, non-establishment film with a completely unique plot about a Chinese settler mother who claims a laundromat with her significant other, has a strained relationship with her girl, and is rushed into a fantastical arrangement to obliterate the multiverse. Not your average Oscar passage.

It has gotten an incredible 11 Oscar designations, and two of its stars — Ke Huy Quan and Michelle Yeoh — have been feted all grants season. Could this little film that turned into a sensation get an opportunity on Hollywood's huge evening?

To examine the reason why the film was such a triumph, why it pulled at crowds' heartstrings, and what it would mean on the off chance that it won Best Picture, we assembled Vox culture columnists Alissa Wilkinson, Alex Abad-Santos, and Aja Romano, alongside governmental issues correspondent Li Zhou, for a conversation around a (virtual) roundtable.

Alissa Wilkinson: Everything Wherever At the same time (EEAAO) ended up being a genuine sensation, and I admit I was somewhat shocked. Perhaps I'm simply mind harmed from long periods of seeing just establishment films beat out everyone else, except I thought this nutty, frantic, large hearted, wild-creative mind film may be a lot for crowds. However it truly ended up being the little film that could. It opened unassumingly and never truly detonated, yet it played in venues for a really long time (which most films don't get to do nowadays) and wound up bringing in an exceptionally sound measure of cash: more than $70 million in the US, and more than $100 million around the world, the enchanted number that diverts a film from a "humble achievement" to a hit. All that with an unobtrusive spending plan of around $25 million, and without a Wonder star or prior IP in sight. Furthermore, those numbers recount a story — for this situation, that the primary fixing in its prosperity was verbal exchange buzz.

I need to concur with Aja. One of the more famous holds back of the most recent couple of years is that we are living in the dumbest course of events. What's more, we do! There are such countless egregiously dumb things occurring in each of our lives right now that occasionally you can't resist the urge to chuckle at everything! The expectation and probability that there's a form of me living a superior, more tomfoolery, more diverting life than me right currently is such a delight to contemplate, and that's what I believe — to a great extent — causes the film to feel so supporting.

One of different elements of the multiverse that felt especially exceptional in All that Wherever At the same time is the manner by which this idea empowered the entertainers to take on various forms of their characters. The flipping to and fro between the different Waymonds, Evelyns, Delights, and Gong Gongs was both amazing to observe and a methodology that was continually pushing the crowd to rethink its view of different characters.

The difference between Alpha Waymond and Normal Waymond, for example, offered this truly intriguing discourse on manliness, and how the worth of generosity, energy, and confidence, is frequently ignored.

So presently I get now is the right time to address the googly-looked at rock in the room: Could this film at any point win Best Picture? I waver fiercely between believing it's a sure thing and a remote chance. Perhaps it's both. Furthermore, on the off chance that you don't want to go out on a limb at the psyche of the Institute, what's the significance here for a film like this to succeed at the Oscars?

It's been some time since the Foundation Grants have seen a film get everyone's attention as wyler William's "Ben-Hur," which left a mark on the world in 1960 as the principal best picture champ to get 11 Oscars. Just two different movies have arrived at a similar achievement: "Titanic" in 1998 and "The Master of the Rings: The Arrival of the Ruler" in 2004.

"Everything Wherever At the same time" drove in selections at the current year's service with 11 gestures in 10 classifications. Coordinating pair Daniel Scheinert and Daniel Kwan won best chief, Michelle Yeoh won lead entertainer, Ke Huy Quan won supporting entertainer and Jamie Lee Curtis won supporting entertainer.

Not far behind in complete assignments was the authentic amazing "All Calm on the Western Front" and Martin McDonagh's Ireland-set dark parody "The Banshees of Inisherin," which each got nine gestures, including best picture.

Only half a month before the Oscars, "Everything Wherever At the same time" won four honors at the Screen Entertainers Organization Grants, breaking the List record for most wins by a solitary film. The A24 film likewise cleared the Film Free Soul Grants this month with eight assignments and seven successes, including best component.

Winning best picture at the Institute Grants, "Everything Wherever At the same time" covered off a noteworthy honors season and turned into the most-granted best picture champ since 2008's "Slumdog Tycoon."

"Everything All over the place" brought back home seven Oscars on Sunday night, including best picture, chief, unique screenplay, lead entertainer, supporting entertainer, supporting entertainer and altering.

At the 2009 Oscars, Danny Boyle's "Slumdog Mogul" scored eight honors, including best picture, chief, adjusted screenplay, cinematography, altering, score, unique tune and sound blending. Previously "Everything All over the place," the nearest a best picture victor has gotten to fixing that number was the 2010 service, when "The Hurt Storage" won six Oscars.

At the point when film history specialists glance back at the 95th Foundation Grants, they might check it as the beginning of another New Hollywood. Electors regarded A24's head-contorting, sex toy-shaking, TikTok-period "Everything Wherever At the same time" with the Oscar for best picture — alongside six different honors — while naming Netflix's German-language war epic "All Calm on the Western Front" the champ in four classes, including best worldwide film.

The Daniels, the youthful filmmaking team behind the racially different "Everything Wherever At the same time," won Oscars for their unique screenplay and coordinating. (The Daniels is a quite cool sobriquet for Daniel Kwan and Daniel Scheinert. They are both 35.) The film, which got a field-driving 11 selections, likewise won Oscars for film altering, best entertainer and best supporting entertainer and entertainer, with Michelle Yeoh, Ke Huy Quan and Jamie Lee Curtis regarded for their exhibitions.

"Women, don't allow anyone ever to let you know that you are ever over the hill," Yeoh, 60, said while tolerating the best entertainer Oscar. "Never surrender." She was the primary Asian lady to get the honor.

Quan's success gave the Foundation Grants a corridor of-popularity rebound story: After early progress in motion pictures like "The Goonies" and "Indiana Jones and the Sanctuary of Destruction," his acting profession developed so chilly that he went to stunt work. "Dreams are something you want to accept in," Quan said as tears gushed down his face and Elite participants gave him a wildly energetic applause. "I nearly abandoned mine. To everybody out there, if it's not too much trouble, keep your fantasies alive."

Curtis was additionally in tears when she arrived at the blazing finish of her acknowledgment discourse. "To every one individuals who have upheld the class films that I have made for such an extremely long time," she said, "the thousands and a huge number of individuals, we just won an Oscar together!"

Everything Everywhere All at Once didn’t win every award it was nominated for, but it came close. Out of 11 nominations, the film took home seven major accolades, including Best Picture, Best Original Screenplay, Best Director, Best Actress, Best Supporting Actor, Best Supporting Actress, and Best Editing.

At one point during the ceremony, it seemed like All Quiet on the Western Front might dominate, but the momentum eventually swung back to Everything Everywhere All at Once. Meanwhile, several films once considered strong contenders—Tár, Bush Dog
The Banshees of Inisherin, The Fabelmans, and Elvis—left empty-handed, a surprising outcome for many.

Notably, 16 of the 20 acting nominees were first-timers, and as predicted, all four acting awards went to newcomers. The Supporting Actor and Supporting Actress categories showcased two strikingly different but equally deserving fresh faces.